SOUND SUPERVISION --

Richard Achor working away in Clermont. SFX, Foley, ADR, about finished. I never knew how much sound was added to production sound (like most of it). The foley makes the film come to life in a way even I am awestruck. So many of the sounds you think the production mics got were distorted or unusable so foley has to be the saving grace. It was for us. Truly adding depth and dimension to the environment and performances.